Tom Rhys Harries and Naomi Ackie power a tragic, grotesque origin story that brings one of my favorite Batman villains into the DCU.

Clayface is the childhood nightmare I feared, now brought to terrifying life on the big screen.
Grotesque, disturbing, and absolutely impossible to look away from, DC Studios’ horror thriller takes a character I have loved since childhood and delivers a twisted descent into body horror. Beneath the transformations is the tragedy that made me care about Matt Hagen in the first place.
That was always going to be the real test. I knew Clayface could make a great movie monster. I needed this film to make me care about the man becoming one.
For the most part, it delivers spectacularly.
How Clayface Turned My Skepticism Into Excitement
When DC first announced a standalone Clayface movie, I was skeptical. Watching Sony build movies around Spider-Man’s rogues gallery had left me wary of another studio pulling villains into their own theatrical projects. Even with one of my favorites getting the spotlight, my immediate reaction was, “Please, no.”

Then Mike Flanagan’s involvement got my attention. An R rating made the possibilities more interesting. If DC was willing to embrace the horror of this character, there was a reason to get excited.
Then the teaser dropped and was totally hyped up.
Director James Watkins ultimately delivers a film that understands the appeal of Clayface: the horrifying possibilities of his body, the instability of his identity, and the tragedy underneath it all.
A Childhood Favorite With a Tragedy Worth Telling
As a kid glued to the television watching Batman: The Animated Series in the ’90s, Clayface was always my favorite Batman villain.

There was something mesmerizing about him. His body could become almost anything, yet that freedom came with an existence that felt like a nightmare. The transformations were thrilling to watch, but Matt Hagen’s story gave them a sadness that stayed with me.
That history shaped my expectations for this movie. I wanted the powers and the grotesque imagery. I also wanted the filmmakers to understand why this character meant so much to the kid watching him on television.
Seeing that tragedy carried into a live-action feature is something special.
Hagen’s rise from Gotham street kid to Hollywood leading man comes crashing down when a local crime boss leaves him horribly disfigured. Abandoned by his team, he seeks an experimental treatment that restores his appearance. The recovery offers him a way back to the life he lost, but its consequences send him spiraling toward revenge as his grip on reality begins to unravel.
For an actor whose appearance is tied to his livelihood, it is a compelling foundation. Every change to Hagen’s body carries the possibility of getting himself back or losing himself further.
Tom Rhys Harries and Naomi Ackie Give Clayface Its Heart
This movie works for two main reasons: Tom Rhys Harries and Naomi Ackie.

Their performances and chemistry give Clayface the emotional weight it needs. As impressive as the monstrous imagery becomes, I remained invested because of what these two bring to the screen.
Harries makes Hagen’s humanity matter. That is essential to a story built around such an extreme transformation. There has to be someone worth following through the horror, someone whose tragedy can still register as his body becomes increasingly unfamiliar.
Ackie is equally important. Their connection anchors the film, giving its descent an emotional pull beyond the anticipation of what Hagen might turn into next.
The effects can command your attention. Harries and Ackie hold it.
A Glimpse of Gotham That Leaves Me Wanting More
I loved getting a glimpse of Gotham, even if I wanted more time there.

The city is not fully fleshed out, and the film does not overwhelm you with its presence. Still, the relatively restrained views establish a bleak atmosphere that feels promising for this corner of James Gunn’s DCU.
There is enough personality in those glimpses to make me curious about what lies beyond them. I hope future films build upon that foundation and give us more opportunities to experience this Gotham.
One much smaller detail did interrupt my immersion: Hagen having access to scissors in his overhead luggage during a plane sequence.
Apparently, airport security in the DCU has other priorities.
It is a minor complaint, but it was one of those moments that sent my brain in the wrong direction when I should have been focused on Hagen.
Clayface’s Transformations Were Worth the Wait
What I am most in love with is how the film brings Clayface’s abilities to life.

The look, the feel, the regeneration, the copying of faces and clothing. It is immensely satisfying to watch these pieces develop into the monster I have known for decades. The buildup lets you appreciate what makes his powers so fascinating and so unsettling.
An appearance can be replicated. A body can be rebuilt. Something that should establish who a person is becomes frighteningly unreliable.
That is fertile ground for body horror, and the movie makes the transformation a major part of its appeal. As a longtime fan, I found real joy in seeing those familiar abilities realized on this scale, even when what I was watching was grotesque.
There is also a respect for the material that came before. The film’s treatment of Clayface feels connected to the qualities that made him memorable, particularly the tragedy embedded in his transformation. That mattered to me as much as getting his powers right.
The Body Horror Could Have Gone Further
My biggest surprise is that I wanted Clayface to go further with its horror and gruesomeness.

I squirm easily. Going into an R-rated movie about this character, I expected a few moments that would seriously test my ability to keep looking at the screen. Instead, I was relatively comfortable watching what unfolded.
The imagery is grotesque and disturbing, but my personal threshold was never pushed quite as far as I anticipated.
Some of that may come from familiarity. I have spent so many years loving Clayface that seeing these transformations brought to life was exciting in a way that softened their impact. Where another viewer might recoil, I may have been too absorbed in finally seeing the character realized.
Even so, the film left me wanting a little more intensity. With a premise this rich in horrifying possibilities, there was room to make the experience even harder to shake.
Final Verdict
There is something surreal about watching a character who fascinated and frightened me as a kid finally take over a theater screen. Clayface captures the strange appeal that has kept me invested in Matt Hagen for decades: I want to see what he becomes, even as I wish he could escape what is happening to him. I would have welcomed a nastier, more uncomfortable experience, but I left excited about the possibilities this film opens for DC. Give me more of this willingness to embrace Gotham’s monsters and trust their tragedies to carry a movie.
Clayface releases in theaters on October 23, 2026.
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